Every Day Is Magical

There is a fine line in the world of paper crafting. It's a line you get more accustomed to the more time you devote to your crafting. Nonetheless, it's a line that whether you are a beginning crafter or a very experienced one, you deal with on nearly every project. The line? When is too much too much? As crafters and souls obsessed with sparkly things, we tend to love our embellishments--perhaps a bit too much. Knowing when a project is done or needs just "a little something" is in the end a matter of personal taste and artistic vision. I know that I've been guilty of overdoing a design or using one too many embellishments. Sometimes, too much can be a good thing and you'll discover an odd color combination or a surprisingly appealing excess of bling that you might not have otherwise discovered unless you allowed yourself the freedom to let go and experiment. In the end, it is true that beauty is in the eye of the beholder. Don't be afraid to try new things, mix different textures and elements, play with odd color combinations--because it your art and your expression. Not everyone has to "get it" every single time. Being creative means coloring outside of the lines now and again.

This particular card project is a fine example of trying to find the point where you tow the line and say, "This is done...or maybe...".



To start the project, I chose the following papers to work with:

(1) 5 1/2" x 8 1/2" piece of Stampin' Up! cardstock in Rich Razzleberry

(1) 4" x 5" piece of SEI cardstock from the 'Jolie Chocolat' collection

(1) 3 3/4" x 4 1/4" piece of Stampin' Up! cardstock in Whisper White

(1) 4" x 5 1/4" pice of Stardream Fuse Mica cardstock in Amethyst

The Rich Razzleberry cardstock is my card base and is scored at 4 1/4" to create an A2 card size. The Whisper White cardstock is my stamping and embossing base. I used the Stampin' Up! scalloped edge punch on the top of the cardstock. The two stamps I used (fairy and sentiment) are from Unity Stamp Co. I heat embossed the fairy image with a silver tinsel embossing powder after stamping it in Versamark. The sentiment was heat embossed with a fine black embossing powder.



Next, I used my ATG714 adhesive gun to adhere the decorative SEI cardstock to the front of my folded card base.



Before adhering my embossed mat to the decorative cardstock, I thought it would be fun to use my Ranger ink blending tool and some Tsukineko Dew Drop ink in Lilac Posies to ink the edges of my stamped piece. The replaceable sponge pads on the tool are really wonderful to work with and give you so many different looks and techniques to try.




At this point, I seriously considered stopping. It was a nice card and very colorful. Yet, something still gnawed at me. After looking at it for a while, I decided it needed another pop of "oomph" to really meet the standard of being magical. My eye zoned in on the top flower of the embossed image and decided it needed more interest, bigger presence. The solution was to take three die-cut flower images and layer them with Stampin' dimensionals to create an image that leapt off the card front. A bit of glitter, a Prima pearl in the center, and a chocolate heart stick pin and now the fairy really had something magical to gaze upon.





Finally, because of the deep color of the Rich Razzleberry cardstock, I adhered the piece of Stardream Fuse Mica cardstock to the interior to have a place to write a note or sentiment.




As always, thanks for stopping by....and may your days be filled with magic always!

Matryoshka

A matryoshka doll is also known as a Russian nested doll or babushka doll. The set of typically wooden dolls is of decreasing sizes which fit one inside the other. The word "matryoshka" (матрёшка) is derived from the Russian female first name "Matryona" (Матрёна). The word "babushka" is the Russian word for grandmother.

Matryoshka dolls are said to have been inspired by souvenir dolls from Japan. The concept of nested objects was familiar in Russia at that time, having been applied to carved wooden apples and Easter eggs. They date from the 1890's and consist of a wooden figure which separates, top from bottom, to reveal another figure of the same sort inside, which has, in turn, another figure inside of it, and so on. The number of nested figures is usually five or more. The form is approximately cylindrical, with a rounded top for the head, tapering toward the bottom, with little or no protruding features; the dolls have no hands (except those that are painted). Traditionally the outer layer is a woman, dressed in a sarafan. The figures inside may be of either gender; the smallest, innermost doll is typically a baby, and does not open. The artistry is in the painting of each doll, which can be extremely elaborate. Matryoshka dolls are often designed to follow a particular theme, for instance peasant girls in traditional dress, but the theme can be anything, from fairy tale characters to Soviet leaders.



The first Russian nested doll set was carved by Vasiliy Zvezdochkin (from a design by Sergei Maliutin), who was a folk crafts painter in the Abramtsevo estate of the Russian industrialist and patron of arts Savva Mamontov. The doll set was painted by Maliutin himself. Maliutin's design was inspired by a set of Japanese wooden dolls representing Shichi-fuku-jin, the Seven Gods of Fortune. Maluitin's doll set consisted of eight dolls -- the outermost was a girl holding a rooster, six inner dolls were girls, the fifth doll was a boy, and the innermost was a baby. In 1900, Savva Mamontov's wife presented the dolls at the World Exhibition in Paris, and the toy earned a bronze medal. Soon after, matryoshki dolls were being made in several places in Russia.

I've long been fascinated by Imperialist Russian history and art. I am a student of the work of Peter Carl Faberge and a collector of eggs. The beauty in art, textiles, sculpture, jewelry molding, fashion, and other areas of Czarist Russia is truly breathtaking in its scope and grandeur. Wassily Kandinsky is another artist of the period that I adore.

When I saw the early sample images of the new Cricut cartridge "Paisley", I was immediately drawn to the images of several matryoshka dolls. Of course, the entire cartridge is filled with delightful, whimsical images, but the matryoshka sold me immediately.

Of course, I was dying to make a card with one of the pieced images. This card was my first attempt--and I have to say it holds a special place in my heart. For some reason, every now and again, the crafting muses align perfectly and a project has just the right combinations of colors, textures, and design elements. For me, this card is one of those watershed moments.

The matryoshka image is cut at 3.75" on the Cricut Expression and consists of several layered pieces. The solid cardstocks are all textured Bazzill papers. The decorative paper for the mat and outer matryoshka layer is from Die Cuts With A View. The card base is an A2 piece of Stardream Fuse Mica cardstock in Ruby. The ribbon is 1/2" satin Stampin' Up! in Real Red. I also used the Stampin' Up! tag corner punch on both the card base and mat in all four corners. The crimson pearls are from Jennie Bowlin Studio and the inner journaling shield is from K & Co. The layers were adhered with SNAIL adhesive and the matryoshka is elevated with Stampin' Up! dimensionals. It's a very simple, yet strikingly elegant layout.

Coloration

One of the things that fascinates me most about paper crafting (and crafting, in general) is choosing colors for a project. I swear I can literally spend hours flipping through reams of cardstock, paper stacks, mat stacks and decorative papers browsing and matching, placing swatches and pages side-by-side, changing my mind again and again. I guess in the end--and something I find true of many crafters--we are all paper addicts. Can you really ever have enough paper? I, myself, am trying to debunk this myth apparently. I would never admit this in public, but I think when you have so much paper you actually have to pack some of it away, there might be a problem. But, then again, I tell my therapist it's just my back-up plan.

This card began with a scrap piece of paper left over from a card project from a few days ago (the chandelier card). It was a strip of lovely cardstock from the new Die Cuts With A View stack called "Downtown Loft" that is an exclusive to JoAnn's. It was a green tiled cardstock that had squares of high-gloss interspersed throughout. Since it wasn't large enough to actually use as a card base or mat, I decided to take one of my Martha Stewart punches ("Oak Leaf") down from the rack and punch out as many pieces as I could from the scrap.

As I started playing with my punched-out pieces, I soon was fascinated with a wreath-like shape. I punched out a 1 3/8" circle of white cardstock and and 1 3/8" circle of decorative paper from scraps. Using a Zig 2-way adhesive pen, I attached each leaf stem to the back of the white cardstock circle. Once it was complete, I adhered the decorative paper circle to the white circle. Then I stared at it for a while and decided it "needed" a bit more __________? I ended up piercing a hole through the center and using a Stampin' Up! Corduroy Button in Kiwi Kiss. (Are we sensing a green theme?)

Next, I went looking for papers to mount my creation on. After much thought, I ended up choosing Stardream Fuse Mica cardstock in Fairway for my A2 card base. The card mat is from the DCWV "Taj Mahal" mat stack. After everything was adhered together, I was struck by the fact that an Indian influenced design worked so well with the seemingly incongruent wreath design. One might even daresay it's rather "Christmas-y" in it's overall look. Yet, it could serve as a general everyday notecard.

Sometimes it is a game of trial and error. But, that's not really the right term. For in my opinion, there are no errors...just ideas that don't quite workout like you thought they might. Expressing your creativity and experimenting is a very large part of the entire crafting process.

Keep coloring your world....and as always, crafting...

All Hallow's Eve

I am completely enamored by this new Stampin' Up! Halloween stamp called "All Hallow's Eve" (#113264, $17.95). It's a very large stamp and is deeply etched for maximum detail. I will admit that the size makes it a bit cumbersome to stamp with (and you may have to stamp a few times before you get a print that you're truly happy with). You may also want to ink your stamp with a brayer for larger and quicker coverage.

The card base is Stardream Fuse Mica cardstock in Flame. The image was stamped on Stampin' Up! Whisper White cardstock with Tsukineko Memento ink in Tuxedo Black. The card mat and base were punched with the Stampin' Up! Tag Corner Punch (#107215, $6.95). The ribbon is from artiste extraordinaire Marah Johnson and Creative Imaginations (LOVE IT!). I used a Sakura Metallic Ink Pen in Orange Flame for accent and a Stampin' Up! Stampin' Write Journaling Pen in black for the freehand sentiment.





May your ghosts and goblins always bring treats...and Keep Crafting!

Little Monsters

For some strange reason of late, I seem to be preoccupied with Christmas. Which is a bit weird since it's more than five months away. My mind is exploding with Christmas card layouts and holiday projects. Most of them are being written in my "inspiration" notebook for perusal at a later date.

But, another holiday struck my fancy yesterday (even though it is still a few months away as well)--Halloween. I recently purchased a terrific set of stamps from Unity Stamp Company called "Little Monsters". They are the most adorable Halloween inspired images. If they don't make you smile, I think a part of you might be dead--which come to think of it might just fit with the holiday!

This card project is a standard A2 size (4 1/4" x 5 1/2"). The base cardstock is Stardream Mica Fuse in Flame. The accent cardstock is by Core'dinations from the All In The Family collection in Orange. It's been cut at 3 1/2" x 4 1/4" and edged with the Stampin' Up! Scallop Border Punch. It was then run through the Cuttlebug with the Tiny Mosaic Folder and sanded with a Stampin' Up! Snow Block.

The Baby Frankenstein and Witch's Hat are from the Unity Stamp Set "Little Monsters" and stamped on Papertrey Ink Stamper's Select White Cardstock using Tsukineko's Memento Ink in Tuxedo Black. I then colored both images using Copic Sketch Markers. They were adhered to the embossed cardstock with Stampin' Up! Stampin' Dimensionals. The scalloped piece was then adhered to the card base with my ATG 714 adhesive gun. For the card sentiments, I used two other stamps ("little monster" and "trick or treat") from the "Little Monsters" set. Something about this card just makes me feel like a little kid again (Not that I'm not accused of the fact more often than I care to admit!). I hope this card gets your "little monsters" waking from the graveyard of holiday's future and inspires you to create something in honor of ghosts and goblins that float by us each and every day! Keep Crafting....

Quilting In The Greenhouse

The art of quilting is an amazing source of inspiration. Taking needle and thread and combining two or more layers of material produces a landscape of textures, colors, and patterns. Adapting ideas from quilting into your cardmaking is an easier transition than you might first imagine.

Today's card project uses the illusion of quilting blocks to create a background for stamped images. You can really use your eye for color and pattern to create some mesmerizing tableaux. You can go bold or subtle. You can go for harmonious or contrasting designs. You'll find yourself playing with your paper blocks--rearranging, rotating, and replacing them over and over.

I chose the following papers to work on this card: the card base is Stardream Fuse Mica Paper in Copper cut at 5 1/2" x 8 1/2"; the decorative papers are Basic Grey 6" x 6" from the Marrakech collection; and a 4 1/4" x 5 1/2" piece of Papertrey Ink Stamper's Select white cardstock.



To begin creating the quilting pattern for my card, I used an EK Success 1" square paper punch. The 4 1/4" x 5 1/2" white cardstock will be the base upon which I'll layer my quilting blocks. Using the punch, you'll need to cut out ten (10) 1" x 1" squares of each piece of your patterned paper selections.




Now is when your creative juices really need to kick in. Play with your blocks and look at colors and patterns. Lay them out like a puzzle and try to find the best patchwork design for your project. Once you've settled on a pattern, you can begin adhering your blocks on the cardstock base. I used Stampin' Up! SNAIL adhesive to begin attaching my quilt blocks.




Next, I chose to use my Cuttlebug and the Sizzix Bigz Top Note Die (a Stampin' Up! Exclusive) to add another element of visual interest to my quilted background. Sandwiching the die and quilted cardstock between the two "B" plates, quickly and easily runs through the Cuttlebug.




For the stamped image to complete the look of my card, I chose to use the Stampin' Up! Greenhouse Garden stamp set (I LOVE this set!). I used my Stamp-a-ma-jig to create a two-step floral image and stem. The inks I chose to use are Tsukineko Memento in Pear Tart and Cottage Ivy. I stamped my image on Stampin' Up! Whisper White cardstock and trimmed around the the images. I also chose to add a piece of Stampin' Up! Always Artichoke grosgrain ribbon to the quilted background.




I attached the stem using a Zig 2-way Glue Pen and tucked the end behind the ribbon. The flower is attached using Stampin' Up! Stampin' Dimensionals. I also chose to adhere the entire quilted block with Stampin' Dimensionals to give my card the layered visual interest that allows the images to pop from the very deep and glittery cardstock base.






Until next time, keep crafting!

Card Glimpses

Of late, I seem to have found this deep fountain of ideas for card layouts and techniques I want to try. The problem of course is one as old as time. Well, actually, it is time. For as many ideas as I have, there never seems to be enough time to get them all realized. I suppose that is a good thing--since inspiration and creativity can sometimes be moody playmates.

I just received a huge order of new stamp sets from Stampin' Up! and have been busy preparing them (EZ-Mount) for the calendar cases I store them in. There really are some marvelous new sets and artwork in the 2009-2010 catalog. Among some of my new favorites are: 'All Hallow's Eve', 'Beware Pirates', 'Extreme Elements', 'Medallion', 'Pendant Park', 'On A Pedestal', 'Greenhouse Garden', 'From The Crypt', and 'Chic Boutique'. I also finally broke down and ordered the Color Caddy and extender kit. I was never quite sure this is the route I wanted to take for my Stampin' Pad storage, but now I'm very happy I did. Of course, not all of my pads fit. But, it does make a great home for the four major color groupings (Bold Brights, Earth Elements, Rich Regals and Soft Subtles), as well as the last twelve In Color ink pads. It provides a great visual reminder of the palette that is available in my stamping ideas.

The weather here has been ridiculously hot. Though, I suppose that's just further impetus to stay inside and create. Wherever you are and whatever your weather, keep crafting!